TY - JOUR
T1 - Linking privatised large-family domestic space with a public audience
T2 - An analysis of housewives who are YouTube vloggers
AU - Tambunan, Shuri Mariasih Gietty
N1 - Funding Information:
The author would like to acknowledge the financial support provided by the Directorate of Research and Community Engagement through the International Publication for Final Assignments Research Grant (PITTA Research Grant 491/UN2.R3.2/ HKP.05.00/2017) funded by Universitas Indonesia.
Publisher Copyright:
© 2020 Universiti Putra Malaysia Press.
PY - 2020/3/19
Y1 - 2020/3/19
N2 - Amateur vlogs on YouTube provide a glimpse of everyday life and reveal things one might not normally show in public. This paper explored two case studies, female-run YouTube accounts Jamerrill Stewart, Large Family Table and Parsnips and Parsimony, and focused on how both accounts blurred the boundaries between private and public lives as they invited the audience to know about their domestic lives. It aimed at exploring how these female vloggers constructed a particular self-presentation while using YouTube as a personal online diary to archive their everyday lives. The study, however, avoided depicting vlogs as "reality" because vlogs, just like any other audio-visual medium, could be edited. The research findings revealed that in constructing their self-presentation, both women offered an unstructured portrayal of large-family lives in comparison to the representation of American family lives in other mainstream media, such as television (TV) reality shows. By showing the audience incidental and chaotic everyday occurrences for instance, children arguing, messy living rooms, or what they called "real life", these vlogs were redefining what was understood as "reality" in audio-visual material.
AB - Amateur vlogs on YouTube provide a glimpse of everyday life and reveal things one might not normally show in public. This paper explored two case studies, female-run YouTube accounts Jamerrill Stewart, Large Family Table and Parsnips and Parsimony, and focused on how both accounts blurred the boundaries between private and public lives as they invited the audience to know about their domestic lives. It aimed at exploring how these female vloggers constructed a particular self-presentation while using YouTube as a personal online diary to archive their everyday lives. The study, however, avoided depicting vlogs as "reality" because vlogs, just like any other audio-visual medium, could be edited. The research findings revealed that in constructing their self-presentation, both women offered an unstructured portrayal of large-family lives in comparison to the representation of American family lives in other mainstream media, such as television (TV) reality shows. By showing the audience incidental and chaotic everyday occurrences for instance, children arguing, messy living rooms, or what they called "real life", these vlogs were redefining what was understood as "reality" in audio-visual material.
KW - Everyday lives
KW - Female vloggers
KW - Large family
KW - Representation
KW - YouTube
UR - http://www.scopus.com/inward/record.url?scp=85082038619&partnerID=8YFLogxK
M3 - Article
AN - SCOPUS:85082038619
SN - 0128-7702
VL - 28
SP - 575
EP - 588
JO - Pertanika Journal of Social Sciences and Humanities
JF - Pertanika Journal of Social Sciences and Humanities
IS - 1
ER -